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Sometimes, the simplest stories are the most effective, which is perfectly exemplified by the South Korean film On the Beach at Night Alone.

Directed, written, and produced by prolific filmmaker Hong Sang-soo — who has made over 25 films in South Korea — this gripping narrative is about, well, a woman on the beach at night alone.

Young-hee Kim Min-hee , a beautiful young actress, takes to the beach by herself one evening to muse over her difficult relationship with a married man.

As she wonders if he misses her as much as she misses him, Hong explores themes of love, loss, and betrayal. One of South Korea's most popular comedies, 's My Sassy Girl is based on a real set of blog posts by an aggrieved boyfriend about his beautiful but troubled girlfriend.

Jun Ji-hyun stars as "The Girl," who meets her eventual boyfriend Gyeon-woo Cha Tae-hyun when he saves her from drunkenly falling in front of a train.

As it turns out, she has a complicated and rather tragic romantic past, and throughout the film, she keeps Gyeon-woo on his toes constantly, to put it lightly.

The two eventually figure out a way to make their relationship work, despite every possible hurdle being thrown in their path — and since this is a romantic comedy, those hurdles often turn out to be pretty amusing.

If the name sounds familiar, it may be because the U. Released in , Shiri called Swiri in its native country is still one of South Korea's standout action films, thanks to the careful direction and vision of director and writer Kang Je-gyu.

A loving homage to "high-octane" Hollywood action films, Shiri has a super-fast, breakneck pace and perfectly mimics high-budget action blockbusters, giving South Korea its own versions of films like Die Hard and even eventual successors like the John Wick series.

However, this movie also came with a message; beyond its action antics, Shiri also addresses the issue of Korean reunification, making it the first large release in South Korea to tackle this particularly fraught issue and giving the film a larger goal than fight scenes and explosions.

Shiri is also notable for one very different plot device: a devious female villain. The antagonist of the film, Lee Bang-hee, emerges from military training as one of the force's most promising snipers, and years later, the entire country tries to hunt her down to no avail.

The detectives in charge , Yu Jong-won Han Suk-kyu and Lee Jang-gil Song Kang-ho try to keep track of Bang-hee as she sets off bombs across the country, but along the way, they uncover some seriously unsettling secrets.

The film, which is counted in some circles among the best action movies of all time, holds up against the most expensive Hollywood blockbusters.

Also written and directed by Kang Je-gyu, Taegugki subtitled The Brotherhood of War is just as ambitious as Shiri , but instead of big action set pieces, depicts a wartime narrative.

Told throughout different timelines — as the film opens, a crew discovers the remains of a man who supposedly died during the Korean War, flashing back to tell his story — the film focuses on the experiences of Lee Jin-tae, a young man who once worked at a shoe store before being forcibly drafted into the war.

Though it seems as if Jin-tae's remains were somehow found in the rubble, it turns out there's more to Jin-tae than meets the eye. An emotional rollercoaster of a story about the things war can do to a person, Taegugki , which is Certified Fresh on Rotten Tomatoes, is a twisting, turning tale that will keep you guessing and invested until the very end.

Based on a graphic novel by Huh Young-man and partly based on Jung's own life as a high school dropout, the film focuses on Min, a teenager who drops out of school and must figure out how to support his widowed, alcoholic mother.

Meanwhile, Min is also trying to win over Romy, an educated, upper-class college girl who is all set to go to college.

An intimate film that tackles some pretty big issues, Beat is a classic South Korean cinematic effort, and is definitely a must-watch if you're looking for a lesser-known but equally worthy South Korean option.

Min's journey through the mob can be pretty intense, but thanks to Kim's careful direction and Jung's scene-stealing performance, the film is never less than incredibly enjoyable.

South Korean films span a large range of genres and moods, but the country is definitely known for its psychological thrillers, and A Tale of Two Sisters the title of which translates to Rose Flower, Red Lotus is no exception.

After getting home to her father Kim Kap-soo and younger sister Su-yeon Moon Geun-young , Su-mi joyfully reunites with her beloved sister, but neither of them offer a warm reception to their stepmother Eun-joo Yum Jung-ah.

The entire family starts experiencing troubling supernatural apparitions, including visions of the girls' dead mother, bringing tensions in the house to an all-time high.

A troubling and often frightening portrait of a family in serious crisis, A Tale of Two Sisters cleverly backtracks to explain why Su-mi was getting treatment in the first place, and by the time you get to the ending, it'll be well worth the journey, no matter how scary it gets.

However, stick to the original; its American remake, The Uninvited , didn't fare quite as well critically. Directed by Leesong Hee-il, an openly gay South Korean director, No Regret made huge strides for the country's queer community with its thoughtful and intensely considered portrayal of two young boys in love.

The love story between Su-min, a teenaged orphan trying to make his way in Seoul, and Jae-min, one of Su-min's clients at the driving service where he works, is tumultuous to say the least as the two men struggle to be together; as the story goes on, they struggle to find their way back to each other in the face of a series of increasingly scary obstacles.

A critical and commercial success that drew huge crowds , No Regret is a landmark movie for South Korea, and is still incredibly relevant today.

As he tries to bring Jang to justice, Kim finds himself engaging in dark, grisly acts, leading him to wonder what kind of detective and man he has become in his relentless quest for vengeance.

If you're up for a disturbing yet rewarding watch, I Saw the Devil should definitely be on your list. South Korean cinema has no shortage of thrillers about detectives hunting down dangerous serial killers, but 's The Chaser is definitely a worthy addition to this super-specific genre.

The directorial debut of Na Hong-jin, The Chaser tells the story of Eom Joong-ho Kim Yoon-seok , a former police officer who has become a pimp since his disgraced retirement years earlier.

Joong-ho is facing financial issues after a few of his girls go missing, and after he sends yet another girl into a dangerous situation, he starts to notice a pattern.

After a long and bloodstained trail, he finally tracks down the killer, leading to a gruesome conclusion for both men.

The film earned an impressive 80 percent rating on Rotten Tomatoes , with critics calling it "classy" despite all the blood and gore, and one big Hollywood star definitely took notice.

In , it was reported that Leonardo DiCaprio was eying a remake of The Chaser , and though nothing has materialized since, it's still not out of the question that The Chaser might get an American do-over.

Sometimes, even the quietest people among us can be driven to horrific acts of violence, as depicted in 's The Man from Nowhere.

Directed and written by Lee Jeong-beom, the film tells the story of Cha Tae-sik Won Bin , a pawnshop owner who mostly keeps to himself except for his close personal friendship with So-mi Kim Sae-ron , a little girl who lives nearby.

When So-mi's mother, a go-go-dancer, gets involved in the drug trade, she inadvertently puts her daughter at risk, and when she asks Tae-sik to look after a stolen item for her, criminals kidnap So-mi to push Tae-sik to his breaking point.

That plan definitely works, and Tae-sik goes on a killing spree to save his young friend. The fact that Won Bin, one of South Korea's most selective actors — he's only appeared in five feature films, and The Man from Nowhere remains his last appearance as of this writing — deigned to appear in the film says everything, so it's not surprising that it fared extraordinarily well with critics, earning raves for Won Bin's performance and drawing comparisons to Luc Besson's The Professional.

Won Bin and the film itself both also picked up several awards at South Korean ceremonies after the film's release, proving that if you're looking for one of South Korea's premier thrillers, look no further than The Man from Nowhere.

A quiet drama about a grieving widow trying to move on with her life, 's Secret Sunshine was directed by one of South Korea's most notable names — Lee Chang-dong, an acclaimed novelist and filmmaker who once served as South Korea's Minister of Culture.

Based on a work of short Korean fiction — "The Story of a Bug" by Lee Cheong-jun — Secret Sunshine focuses on Lee Shin-ae Jeon Do-yeon , a woman who moves to her late husband's hometown of Miryang to try to start her life over after he passes away.

When her car breaks down, Shin-ae meets a local mechanic The Host and Parasite 's Song Kang-ho , and though she's reluctant to make friends, the two connect immediately.

However, when her child is kidnapped, Shin-ae must grapple with a new tragedy while still grieving for her husband.

Jeon won Best Actress at the Cannes Film Festival for her work in the starring role, and even though the film's dark and difficult subject matter makes for a difficult watch, it earned entirely positive reviews from critics.

Secret Sunshine will put you through a tough emotional journey, but in the end, the film makes it well worth the effort — and if you're a Criterion Collection fan, Secret Sunshine got its own edition in Before Parasite surged ahead of an international pack to score Best Picture in , South Korea submitted a few films for Oscar consideration, including 's A Taxi Driver.

Like Parasite , A Taxi Driver — which was directed by Jang Hoon — stars Song Kang-ho in the title role, telling the story of a cabbie who unwittingly becomes involved in the violent and dangerous Gwangju Uprising that took place in South Korea in Written by Eom Yu-na, the film is based on interviews conducted by German journalist Jürgen Hinzpeter played in the film by Thomas Kretschmann with a cab driver who actually lived through the uprising.

Eom had to imagine several parts of the driver's life, ultimately crafting a gripping — if not entirely faithful — tale. Despite some potential historical inaccuracies, the film earned critical acclaim across the board, including members of South Korea's own government.

If you want to learn more about the Gwangju Uprising and experience a touching story along with it, be sure to check out A Taxi Driver.

South Korea has produced plenty of great horror films, and the film The Wailing is yet another excellent addition to this already packed genre.

Directed by Na Hong-jin, The Wailing focuses on Jong-goo Kwak Do-won , a policeman whose daughter Hyo-jin becomes sick with a mysterious and unsettling illness after Jong-goo sees a terrifying apparition in the woods.

As villagers around him become infected with the same disease as Hyo-jin, Jong-goo tries to figure out which demons could be causing this outbreak, while putting his own life at risk in the process.

If you're okay with serious scares, be sure to check out The Wailing , and settle in for a wild ride. The tale of a Buddhist monk as he moves through the seasons of his long and peaceful life, 's Spring, Summer, Fall, Winter Helmed by arthouse director Kim Ki-duk, the movie is split into segments for each season in the title with spring, obviously, occurring twice , guiding audiences through decades of the life of a Buddhist monk as he works his way through his young novice years during which Jae-kyeong Seo plays the monk under the tutelage of his mentor Yeong-su Oh.

When the young apprentice is tempted by a woman who arrives at the monastery, it begins a lifelong struggle. Throughout the film, different actors play the monk, with the director himself joining the cast at points.

Critics loved this deep, emotionally stirring film, which balances its tranquil nature against a complex and gripping narrative.

South Korea produces plenty of thrillers, but if you're looking for a less stressful watch, consider Spring, Summer, Fall, Winter A somber and gripping story of family drama and complicated relationships, the film Hotel by the River , directed by Hong Sang-soo, takes place in the middle of winter as poet Young-hwan Ki Joo-bong , in the twilight years of his life, invites his sons Kwon Hae-hyo and Yu Jun-sang to a secluded hotel by the Han River, believing that his time on Earth is coming to an end.

However, they're not alone; during a walk by the riverside, Young-hwan meets two women Kim Min-hee and Song Seon-mi , who are also at the hotel to work out some personal issues.

During their concurrent stays, the two groups end up coming together, even as they work out their family problems on their own. All in all, critics praised Hotel By the River for its strong direction and emotional depths, making it one of the country's best recent dramas.

If you're in the mood for for a quiet yet stirring story, Hotel by the River is a perfect choice. However, in this project, the two men switch roles; in The Yellow Sea , Ha plays the protagonist and Kim plays the antagonist, whereas it's the other way around in The Chaser.

In the film, Gu-nam Ha , a cab driver working in China, is tasked to carry out an assassination to settle some outstanding debts.

When he meets powerful gangster Myun Jung-hak Kim , the crime lord promises the driver enough money to pay his debts if he comes to South Korea and kills a high-ranking businessman instead.

However, it soon becomes clear that Gu-nam has bitten off more than he can chew. Thanks to excellent action sequences and a thoroughly engrossing story, The Yellow Sea earned positive reviews from critics, proving that Na, Ha, and Kim's success with The Chaser could be replicated again — apparently, cinematic lightning occasionally strikes twice.

In the film, which was written and directed by Park Chan-wook, Catholic priest Sang-hyun played by South Korean staple Sang Kong-ho experiences a startling realization; he's in love with his friend's wife, and suddenly, being with her by any means necessary seems like the cure for the doubt and depression hidden by his devout exterior.

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